Friday, July 23, 2010
Today I’d like to welcome to my blog , friend and author Clare Mulley. Clare and I met when I lived in the UK in a little town called Saffron Walden and our children attended the same school. Clare was also a member of the same book club and I must say that I sadly miss the challenging and stimulating books and conversations...and of course the odd glass of red wine.
Clare’s book, The Woman Who Saved The Children, is the biography of Eglantyne Jebb, founder of Save The Children. It has just been released in Australia, so I’ve invited her over for a chat. Clare won the Daily Mail Biographer’s Prize in 2007 and all royalties from the book go to the charity.She has a strong social conscience and is a source of great inspiration.
Welcome Clare, from the other end of the world!
Hello, thank you for hosting me Catriona!
Clare, who was Eglantyne Jebb and what makes her story interesting and relevant today?
Eglantyne was the founder of the world's largest independent children's charity - Save the Children - and author of the pioneering statement of children's human rights that has since evolved into the UN Convention on the Rights of the Child; the most widely accepted human rights instrument in history. What makes her story so pertinent today is partly that although much has been done children's human rights are sadly yet to be fully realised. 'It is not impossible to save the children of the world', Eglantyne once said. 'It is only impossible if we make it so, by our refusal to attempt it'. Inspiring stuff.
But it is not just this - Eglantyne's personal story also resonates deeply with modern life. A woman with many inner conflicts, one of the things I love most about her is the fact that despite dedicating her life to promoting children's welfare and rights she was not fond of individual children, whom she once called 'the little wretches', and she never had any of her own. This is not a sentimental story about frustrated maternal impulse, but that of a passionate and compassionate woman, with whom we might all identify, who found children tiring, noisy and stressful but recognised that they hold both huge appeal in the present and collective responsibility for the future and who, unlike those around her, when confronted with children starving to death, bravely decided to do something about it whatever the costs.
Eglantyne’s story takes place long ago and far away from Australia. Can you set the scene for us in terms of the socio economic conditions of the time and the broader context of what was happening in Europe?
In 1919 Eglantyne was arrested in London's Trafalgar Square for distributing leaflets showing photographs of starving Austrian children, that had not been cleared by the British Government censors. Eglantyne was outraged that despite the armistice the Liberal government had decided to continue the economic blockade of Europe to push through harsh peace terms with the defeated countries after the First World War. The net result was that children and the elderly, particularly in Austria and Germany, were starving to death in huge numbers. At her trial Eglantyne insisted on conducting her own defence, focusing on the moral case and giving the court reporters plenty to pad out their stories with. She was found technically guilty and fined £5, 'which', she wrote home triumphantly 'is the equivalent of victory'. The Crown Prosecutor then pressed £5 into her hands - the sum of her fine and the first donation put towards Eglantyne's new 'Save the Children Fund'. Within a year, and after several adventures, Eglantyne had raised over £10,000 and saved the lives of many thousands of children. A few years later, having won the support of the Pope for her non-religious, non-political cause, after a skirt-raising chase round the Vatican, she had moved the charity headquarters to the international city of Geneva and made its programmes truly global. Australia was one of the first countries to set up an affiliate Save the Children Fund, which is still today coordinating fantastic international children's programmes from its base in Melbourne.
What was it about Eglantyne’s character that resonated with you ? To what extent were her life choices different to the conventions of her time?
Eglantyne was a rebel from the start. One of just the second generation of women allowed a university education, when presented with the college rules on her arrival she wondered whether she should 'leave immediately or stay long enough to break all the rules and be sent down...' She stayed but not quietly, and later went on to break just about every social convention going when she chose to teach in a working-class school, decided against marriage and children, embarked on a passionate affair with the younger sister of the economist John Maynard Keynes, undertook secret war work in the Balkans in 1913, rejected the established church for her own spiritual brand of Christianity, and was finally arrested in Trafalgar Square for daring to suggest that the country treat the children of its former enemies with compassion. Courageous, smart and driven, she fought plenty of her own demons, even considering suicide more than once, but finally succeeded in putting children's human rights and welfare on the world agenda for the first time. Like most people I like a flawed heroine, defying convention in the cause of the greater good.
As a fiction writer, I have to get inside my character’s head...even if it’s a baby echidna. To what degree did you get inside Eglantyne’s head . Did you find, like a method actor, that you were taking on aspects of Eglantyne’s persona?
Not really! I used to work for Save the Children as a rather struggling fundraiser, and started researching the book when I left the Fund to have my first child - thereby showing far less commitment to the cause than Eglantyne who of course never had children and remained devoted to the Fund throughout her life. As time went on I became increasingly aware of the irony as I found myself creeping away from some of my childcare responsibilities to research the life of this children's champion, who did not care much for individual children herself. At times I felt like a sort of anti-Jebb! By the end of the book I had been through the whole gamut of affinity and disillusionment, and I hope come to some sort of more objective picture of what Eglantyne was like. But I had certainly inhabited her space in some emotional as well as occasionally literal sense, and I still feel very close to this dead woman whom I have never met.
What is a baby echidna like on the inside?
Answer: wordless! Responds to smells and touch!...
You spent a long time writing Eglantyne’s story. How did you feel when you wrote the last words?
Yes, the book took seven years, in between having kids and the other stuff that life throws at you, so it was very hard to let go, although I was also ready to move on really. Luckily I was late delivering to the publisher already, otherwise I think I could have kept on adding and amending forever. My husband on the other hand was more relieved!
What’s next for you Clare...any chance of branching out into writing for children, or fiction perhaps?
Yes, not fiction, but I am working on two book proposals at the moment, one of which is for a beautiful children's illustrated life of Eglantyne which will look at the issues of children's rights etc through her story. I have a fantastic illustrator to work with so it is very exciting. The other book is a group biography of three passionate, dissident Victorian sisters burdened with the inheritance of having a hugely infamous father. I think it will be great looking at family dynamics, especially now that I have three daughters of my own to manage centre stage.
That sounds fantastic Clare. Keep me posted as I'd love to get copies of both books. It's been great catching up and I'm going out to buy our book club's latest choice and be with you all in spirit.
If you'd like to find out more about Clare, her website is www.claremulley.com
You can hear and see Clare in action here.
Her book can be ordered through all good bookstores .
For a sneak preview, click here
Clare's book can also be ordered online at boomerang books.
For futher reading, visit some of my friends blogs...
Thursday, July 8, 2010
Today is another first for me. I've invited childrens author Sheryl Gwyther over to talk about, amongst other things, her new book Princess Clown.
This blog tour is to celebrate the launch of Princess Clown, Sheryl Gwyther’s latest book. Every day until the official book launch on Friday, 16th July, Princess Belle and Sheryl will be visiting a new blogsite. Check out the list below.
Welcome Sheryl, you're my firstest ever guest!
Can you briefly tell us about Princess Clown and what age group it is aimed at?
Thank you for having me on your blog, Cat.
Princess Clown is a chapter book for 7-8 year olds. It's the funny story of Belle, a princess who wants more than anything to be a clown. But one thing stands in her way – she is the heir to the throne. Does that stop Princess Belle wanting to follow her dream? No way!
What age groups do you prefer to write for?
I usually write Junior Fiction – that's for ages 10-13 year olds, but last year I started writing this new genre – chapter books. I love them. They are faster to write, but require a lot of thought and consideration about the plot and the structure.
Chapter books are designed for young readers who have discovered the joys of reading stories. They have moved beyond the 'learning to read' readers. Now they're able to have a go at books that look like what the big kids read – with chapters. The stories usually have lots of illustrations, shorter sentences, strong plot lines and a likeable main character. Kids in this age bracket love humour and adventure especially.
Are there any teaching notes supplied for this and is it part of a series?
Yes, there are teaching notes and ideas to enhance the reading. They’re in the back of the book and kids can access them themselves. Princess Clown is part of Blake Publishing's Gigglers Blue Series 2. It is one of eight stories.
I've heard that some of the ideas for Princess Clown came when you put two words together that didn't seem to fit. Can you tell me how you developed your characters from there? Are they based on any real princesses or clowns?
I did start Princess Clown as a challenge to put to words together that didn't match – that's what provides conflict. Conflict is what pushes the story. The character of Belle tumbled out of my head quickly – she is a lot like me, I suspect. Not that I can somersault! The story came as I thought of obstacles for Belle – there are tons of things that can go wrong for a princess with a mind of her own. The only princesses and clowns I know live in my head!
Some of my students tell me they have a clown phobia and I'm always a little uncertain as to whether they are pulling my leg...any comments?
I can understand that very well – when adults dress up with painted white faces, huge red lips and frothy clown wigs, their real identity is masked. I think I’m still affected by that creepy, horror movie of Stephen King’s book called It. So freaky!
But I do applaud all those clowns who work hard at their jobs to make kids laugh – especially the Doctor Clowns who work in hospitals to make sick kids happier.
When I was interviewed by Kat Apel, we chatted about wearing different 'hats'. As well as being a talented children's author, you are also an ex teacher and literacy coordinator...can you tell us about your recent involvement in the fight to save Australian school libraries?
Yes, I have been outspoken in the current campaign to rescue Australian school libraries and the jobs of trained Teacher-Librarians, especially those in public state schools. They and the small Catholic schools are the ones that need help the most.
In the past you have been a strong campaigner against parallel importation of books into Australia. When you take on something like that, there is sometimes some negative backlash, especially personal comments in the media. How did you handle the pressure of being in the media spotlight?
Funny you should ask that, Cat. I was pushed into a bit of media spotlight in the fight against Parallel Importation of Books into this country. It was not something I was comfortable with, but practice makes perfect, as they say. I and many other children's authors felt so strongly about this issue, we set up a blog called SAVING AUSSIE BOOKS – if you want to see what we did, here is the link. http://savingaussiebooks.wordpress.com
The fight was successful. During the campaign, my integrity was attacked by an anonymous source (I know who it was, of course). A journalist alerted me, and I refuted the comments. But it did show me how desperate the other side was – and I could understand it, they felt their profits were at risk by the Parallel Importation Restrictions. It didn't stop me speaking out – the cause to protect Australian children's books was too important to scare us off.
And a final question Sheryl, what's the book you want to write but haven't written yet?
I have started this book – it is one so important to me I sometimes dream about it. It's called Mountain. The story is set in far north Queensland where I was born. Place holds a significant part for me in many of my stories. It is the same with this one. The mountain in my story is a real mountain – and it is one that is embedded deep in my consciousness.
It is the place where a terrible tragedy happened in 1921 – a coal mine explosion where 75 miners were killed; a third of the small town's population. My uncle was the last stationmaster before the mining company finally shut down its town in 1959. I spent my school holidays there and have never forgotten the mountain, a spectacular sight of sandstone cliffs, red and raw against the startling blue skies of north Queensland.
I have travelled back there twice since starting writing my story. The mountain affects me every time, especially when I stand in the small graveyard of that ghost town and read the headstones of the dead miners. In 2008, I was awarded a May Gibbs Literature Trust Fellowship residency in Adelaide to work on the story. I will be ever grateful to them.
So yes, this story will get finished one day – I have to.
Thanks Sheryl for visitng and all the best for the launch of Princess Clown. And 'goodonya' for the hard work you put in on behalf of literacy and making reading accessable to children.
Join Sheryl on the rest of her blog tour at:
Blog Tour Dates:
06 July 2010
Dee White – http://deescribewriting.wordpress.com
07 July 2010
Alphabet Soup magazine – http://soupblog.wordpress.com
08 July 2010
Robyn Opie – http://www.robynopie.blogspot.com
09 July 2010
Catriona Hoy – http://catrionahoy.blogspot.com
10 July 2010
Kat Apel – http://katswhiskers.wordpress.com
11 July 2010
Sheryl Gwyther – http://sherylgwyther4kids.wordpress.com
12 July 2010
Sandy Fussell – http://sandyfussell.blogspot.com/
13 July 2010
Sally Murphy – http://www.sallymurphy.blogspot.com
14 July 2010
Claire Saxby – http://www.letshavewords.blogspot.com
15 July 2010
Mabel Kaplan – http://belka37.blogspot.com